I love me a good scary movie.
When I say that, I mean, "I love scary movies that are good." Which, unfortunately, can be difficult to find. Horror is probably one of the more prevalent genres in film right now, and for good reason: a serviceable horror movie can be knocked off for just a few million dollars, and almost always has a great rate of return. But with so many entries, it is also easy for overall quality to dip. Which, as a fan of good scares more than the genre as a whole, means I don't usually go out to many.
But It looked different, to an extent. For one, it comes from Stephen King's "golden age," rubbing shoulders with classics like Salem's Lot, Carrie, and The Stand. And even though it features a clown, that most tired of all cheap horror tropes, it's marketing seemed to focus more on atmosphere and story elements more than just "Hey, look, we have a clown." So I decided to check it out.
It is the story of a group of teenage friends trying to get to the bottom of the mysterious disappearances that have been happening in their town, since the adults seem not to really care.
Although It does feature what is probably the most famous of all horror clowns, the film itself is actually pretty atypical, at least in terms of genre horror. For starters, it is long, clocking in well over 2 hours. This proves to be a tremendous boon: it means we are allowed much more time for exposition and actual character development than your typical 90-minute found-footage shocker or possessed-doll-runaround. There are wonderful moments of levity throughout, which, due to the film's breathing room, feel organic and not shoehorned in. It also means the film's scares are slower and, somehow, seemingly more numerous than what genre audiences are used to, which creates something of a unique viewing experience.
You've probably heard by now about Bill Skarsgård's Pennywise. Although little more than a personification of evil, Pennywise still feels like a character, which is the second key ingredient of this film's success. Basically any horror movie has a similar antagonist, and for the most part, they all feel the same: one poltergeist or porcelain doll is as good as the next. They are "scary" because they are supposed to be, not because there is anything in the film that earns them the distinction. Skarsgård makes watching Pennywise a strange kind of delight, like Jack Nicholson in The Shining or Klaus Kinski in Nosferatu the Vampyre. Working from the deficit of hackneyed genre expectations, he is able to portray something subtly more than just insensate evil. In addition to his immediate threat to characters we have come to genuinely care about, Skarsgård conjures a level of the uncanny that is genuinely unsettling.
The final element that makes It work, and work well, is the Losers Club. It could have been a losing bet indeed to rely on a cast of children to carry a horror film of such mass, but they are more than up to the challenge. The group of boys is delightfully rendered, but it is Sophia Lillis as Beverly who steals the show.
Some have even gone so far as to say that, because of its cast, It is this decade's Stand By Me. I think the cast is certainly capable of reaching that height, but the film itself is not. For all its subtleties of horror and structural integrity, its thematic elements of staying together and whatnot are always pretty on-the-nose, and Beverly is reduced, a little needlessly, to the damsel-in-distress. The film does not, in the end, transcend its boundaries as a horror film, but I do not think that is a bad thing. What we are given is an epic of terror with fully-realized characters and outstanding performances, and I would be perfectly happy if more movie-of-the-week horror outings followed more closely in that suit.
So I say, definitely check out It if you are into that kind of thing, but maybe don't if you're not, and look for Bill Skarsgård to join the ranks of great all-time horror performances.
It features Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Chosen Jacobs, Jack Dylan Grazer, Jeremy Ray Taylor, Wyatt Oleff, and Bill Skarsgård, and is rated R for swearsing and general clown-related horror and violence.
Written by Chase Palmer, Cary Fukunaga, and Gary Dauberman
Directed by Andrés Muschietti
by Chase Harrison