It looks as though summer is upon us, which of course means it's blockbuster season. And while you'll have to look elsewhere for commentary about anything stemming from a comic book, I'm happy to here present a look at Sir Ridley Scott's latest addition to the Alien world. In short, I found it to be generally satisfying, although I am left with some lingering potential reservations about the future of the franchise.
Alien: Covenant follows some 10 years after the events of 2012's Prometheus, and indeed is in many ways a direct sequel to that film. A colonization ship is brought off its course by a cryptic signal, and naturally parasitic mayhem ensues.
I'll first talk about what Covenant does well, and for this writer one of the chiefest of those things is to make Prometheus have some sort of purpose. I was happy with this, because I really wanted that film to work, and it has only become more of a disappointment as time has gone by. But Covenant does much to right its younger brother's course.
This feeds into another element of what these two films do right, or at least work toward. I think that the premise of Alien (1979) only really works once. One reason it is one of the great horror films of all time is that is not reproducible. The only reason Aliens (1986) works is because it pivots from horror to more straight-ahead action. Prometheus and now Covenant have tried to take the series into more classic sci-fi territory, mainly dwelling on questions of creation and the origins of life. I think Covenant does this better than Prometheus (mainly due to less muddled storytelling) but I also think a single, concentrated dose would work better.
That said, Covenant tries harder to be more of a horror film than Prometheus did, and it has some pretty great sequences. But it also fights the temptation of veering into self-parody at times. After all, at this point we know exactly what a xenomorph can do, and the process by which anonymous crew members are weeded out. And I would say that one of the film's greatest weaknesses is the general forgettableness of those crew members. It is difficult if not impossible to develop truly meaningful characters in an action-orient ensemble film like this without relying on simple stereotypes, but other films in the series at least succeed in developing some sort of affection for their victims. Here the film is almost entirely populated with redshirts.
As I said at the beginning, though, my biggest reservation (and that word might be too strong) about the film is about what Fox and Sir Ridley plan to do next. Because the film does bring up some really fascinating and chilling ideas about life and creation. But I fear that those ideas have the potential to undercut much of what makes the good Alien movies good, and even what makes the bad ones Alien movies. Such is the risk with prolonged film franchises, though, especially one built on such a lean, singleminded premise as an incomprehensible, uncanny space monster. Overall, this singular installment works, often quite well, and helps improve its predecessor. But taken in the context of the rest of the series, I'm not sure that its charted course is quite needed.
Alien: Covenant features Michael Fassbender, Katherine Waterston, Billy Crudup, and Danny McBride, and is rated R because it's an Alien movie why do you need to ask.
Written by John Logan and Dante Harper
Directed by Sir Ridley Scott
This isn't a great trailer but it's the not-redband one, if you aren't into that kind of thing.
by Chase Harrison